The city of the Vijayanagara kings is one of the most grandiose sights in India. A listed Unesco World Heritage site, it features thousands of vestiges spread over an area of more than 4000ha. Hampi is a treasure chest lost in a desert of rocks lovingly polished by time.
For the most part Hampi consists of vestiges of the capital of the 14th-16th-century Vijayanagara empire, the last great Hindu kingdom founded by Telegu princes in 1336.
At its peak, the city had a population of over a million, making it a very large town for its time. Exploring the wonders of the site one can easily imagine Hampi’s original wealth and importance. The city was abruptly abandoned, plundered and destroyed after a defeat by the Deccan Muslims in 1565.
You will need at least two days to see it all, and three if you also cross the Tungabhadra to visit the other shore.
Hampi Utsav, also known as the Vijaya Utsav, Festival of Hampi has been celebrated from the times of the Vijayanagar reign. This event has been reiterated as the “Nada Utsava “ by the Government of Karnataka. This festival is attributes to the mega cultural extravaganza. Renowned artistes all over India come forward in bringing the grandiose days of the Vijayanagar Period to the present day.
It is not known what its function was. It is located in the zenana (the harem). However, some archaeologists think this cannot have been the zenana because it was close to the elephant stable and royal guard buildings.
It is a magnificent piece of architecture, built in Indo-Islamic style and comprised of 11 domed halls where the royal elephants were kept.
The structure was later used for various activities including as a stage for entertainments. It boasts some lovely, finely-carved bas reliefs of human figures and animals.
The tank is 22m wide and 7m deep. It has only recently been discovered and excavated, having been completely buried until then.[/section]
The rectangular bathing tank is surrounded by a veranda and balconies, in Indo-Islamic style. It was probably used by the queens of the harem.
In Hindu mythology, Lord Ganesha is known for his gluttony. It is said that one day he ate so much that his belly almost burst; so he caught a snake and tied it round his middle by way of a support belt.
The entire hill was once fortified with thick stone walls whose vestiges can still be seen.
According to legend, it was on Hemakuta hill that Lord Shiva paid penance before marrying Pampa, a goddess associated with the river Tungabhadra. Shiva was so impressed by her devotion to him that he agreed to marry her. Thereupon a rain of gold fell on the hill. (Hema is “gold” in Sanskrit).
That is why some of the temples on the hill are dedicated to Shiva. Some are earlier than the Vijayanagara period; one dates from 1309-1310.Others are notable for the pyramid shape of their shikharas (tower above the shrine), like those of Jain temples.
Virupaksha temple, still in operation, is Hampi’s main temple. Its story begins in the 7th century, long before the Vijayanagar empire. At that time the temple was a small one; the Vijayanagar kings enlarged it. It is dedicated to Shiva in his Virupaksha form, i.e. as partner of the local goddess Pampa.
Both sides of the street are lined with pavilions that once serves as shops and noble dwellings. Later, the local population took over the pavilions; they were evicted quite recently.
After a half-hour climb among boulders a ruined temple to Veerabhadra greets you at the top.
It was one of the last building projects before the fall of the empire. It is dedicated to Tiruvengalanatha, a form of the Hindu god Vishnu.
It is said that on special occasions the king weighed himself against gold and precious stones, which were then distributed among the priests.
It is in the Dravidian style and magnificently sculpted. Apart from the very beautiful stone chariot, one of the temple’s chief attractions is its set of 56 musical pillars, also known as SA RE GA MA pillars after the names of the first notes in the Indian scale. There is a magnificent ancient frangipani tree in the courtyard.
The main idol in the temple was a representation of Balakrishna (Lord Krishna as a child); it is now on display in the Government Museum, Chennai.
The sculptures in the temple are particularly sophisticated, especially the entrance with its red gopuram (gateway tower), but also the balustrades of the temple staircases flanked by yalis (mythological lions).
Opposite the temple is a pushkarani or holy water tank. Most large temples in Hampi had one. They had a functional use of course, but also served ritual purposes.
One of the finest monolithic Shivalingams I have ever seen.
This 3m lingam stands on a pedestal in a square tank like an impluvium, in a small temple.
The lingam receives rainwater from the roof opening, and a system of canals carries water to the tank so that it is always full of water.
This is the largest statue in Hampi and also the most emblematic. Narasimha is seated on a giant coiled snake called Shesha. The snake’s seven heads form a hood over Narasimha’s head. The god is seated in a yoga posture, legs crossed, with a mediator’s support belt round his knees.