Bundi is one of those small Indian towns that have particular charm. It is an ancient city, dressed in blue like Jodhpur. Its many bazaars are an invitation to idle strolling and, like any town on a human scale, Bundi makes it easy to meet people. The royal palace stands majestically above the town, reminding us of the opulence of the Maharajas in the long-lost days when the king and his court rode down on elephants to the city and its narrow lanes.
The town is named after a tribal chief called Bunda Meena. From the 14th century it was governed by the Hada Maharajas, who were Agnikula (descendants of the fire god Agni). This part of Rajasthan, Hadoti, is named after them.
Bundi is also one of the few places in India that can claim to have created a particular style of miniature painting. The Bundi school was active from the 17th to 19th centuries and the wall paintings in the royal palace are a wonderful reflection of the style.
Kajli Teej celebrations are dedicated to the Goddess Teej. This festival is significant for the married couples as they seek the blessings of the almighty for their happy married life and to replenish their ties.
The Kajli Teej festivities in Bundi starts on evening time and consist of a ceremonial procession through the main bazaars wherein the goddess is carried in a decorated palanquin. The procession has also decorated camels, bands and performing artists.
On seeing this imposing palace, one of the finest examples of Rajput architecture, it is easy to imagine its former glory.
This palace was built by Rao Raja Ratan Singh Hada between 1607 AD and 1631 AD. The whole palace is an aggregation of separate palaces built by later rulers. The Bundi royal family lived there until 1948.
The pillars and loggias are magnificently sculpted and carved. Unfortunately it is poorly maintained and bats now are the new inhabitants.
The few restored rooms though boast magnificent, brightly-coloured murals illustrating hunting scenes, processions, scenes from the life of Lord Krishna including a wonderful Chinese-inspired ceiling, divided into petal shapes and decorated with peacocks. All are the work of painters of the Bundi school.
A 20 minute walk from the palace will take you to the fort and a superb panoramic view.
The fort was constructed in 1354 upon a steep hillside. This colossal bastion is now abandoned. All that remain are a few fine murals here and stepwells. During its heyday, Taragarh Fort was renowned for its tunnels crisscrossing the entire hillside.
Watch out for the resident monkeys; they can be aggressive.
Bundi, with its countless bazaars, is a wonderful town to stroll around, from the palace to the old city gate and from Sadar Bazaar to Chomukha Bazaar (Chogan gate). Indra Market, near the old city gate, is a lively place where you can find almost anything, but mainly clothing.
They served as reservoirs in dry times but also as places for the Maharaja and his court to hold festivities.
There are some 50 baoris in Bundi but only a few have withstood the ravages of time.
The Raniji-ki-Baori (“queen’s well”) is a magnificent example of baori art. It boasts some fine sculptures in different styles, Hindu (the 9 incarnations of the god Vishnu), Jain (torana arches) and Mughal.
Just beside the Raniji-ki-Baori is another stepwell, the symmetrically built Dhabhai Kund. It dates from the 17th century and is the second largest stepwell in India.
The artificial lake at the entrance to the town offers a fine view of the fort and palace.
There is a partly-submerged temple to Varuna. In Hindu religion Varuna is the Hindu god of water and the celestial ocean, as well as a god of law of the underwater world.
It is said that the reflection of the entire city can be seen in the Nawal Sagar Lake. This feature makes it one of the unique attractions of Bundi.
Located in the Sada Bazaar, at the intersection of two streets, the Charbhuja temple devoted to Krishna is worth seeing for its colourful atmosphere.
The Maharaja’s summer residence stands on the edge of Jait Sagar lake, a few kilometres from the city centre.
There was once an underground corridor between it and the palace.
It does not have the same grandeur as the palace, and is best known for the fact that Rudyard Kipling stayed here and wrote a few pages of Kim here.
Worth noting are the memorial sati stones at the entrance to the tombs. Sati, the practice of widows sacrificing themselves on their husbands’ funeral pyres, was banned in 1829, but a few isolated cases continued long after. The practice was closely connected with the former social status of widows in India. When a woman’s husband died she was often reduced to begging or prostitution when his family throws her out of the home.
This cenotaph was built by Raja Rao Anirudh, Maharaja of Bundi, in 1740 in memory of his adoptive brother Deva.
It houses a shiva lingam under a painted cupola standing on 82 pillars. The last two pillars are hidden: the game is to try and find them. 😉
The wholesale vegetable market of Bundi gives a colourful spectacle. Strolling among the stalls is as convivial as it is instructive.
Meeting the family of potters is a special treat; they love showing people the potter’s ancestral art, shaping the clay and hammering the pot to give it a wide, well-rounded body.
These 60m high waterfalls located 40 km from Bundi are worth the trip, especially after the monsoon. The country roads that lead you there are pleasant and the waterfalls and the surrounding nature offer a nice panorama. Stairs lead you to the foot of the waterfall where there is a charming temple dedicated to Lord Shiva. It said that the Pandavas brothers visited that place.
The water is clean and you can swim easily.