Many people do not know it, but India is one of the world's oldest civilisations. It has been the birthplace of many fundamentals recognised by today's society, in science and in the arts. After traveling tirelessly around India and immersing myself in its flavours and traditions, I wanted to bear witness to its incredibly rich cultural and spiritual heritage. If this website sparks a desire to pack your bags and set off for an Indian adventure, it will have achieved its purpose. Have a good trip around the website and pleasant wanderings in the sacred land of Bharat!

Sandhya is a form of traditional mural art that originated in the region of Braj (Uttar Pradesh). From there it spread to many other regions, especially Rajasthan, Madhya Pradesh and Punjab. Coinciding with the annual worship of the ancestors, the Sandhya is part of the “Bhakti” movement: it is a means of expressing one’s adoration for the divine and, more precisely, for the Hindu divinity Krishna. If this tradition was once very common, there are only a few places where it is still practiced. A few families in Udaipur in Rajasthan still perpetuate it.

In Tamil Nadu, the nine-day Navaratri festival honoring the Shakti or universal primordial force, is celebrated in a unique way by venerating successively three goddesses: Durga, Lakshmi and Saraswati; three days are dedicated to each of them. This festival punctuated by precise rituals symbolically ends with the victory of light over darkness called Vijayadashami.

The indigenous people of India (adivasi) are guardians of many ancient traditions expressed during festivals that can transport us to other worlds. Simultaneously, these traditional activities can evoke something somehow familiar, perhaps common roots echoing within us. Gavari is one of these festivals. This mystical folk-opera of the Bhil people of Rajasthan is expressed through several acts composed of incantations, sacred songs, social satire and ecstatic dances.

Radhakrishna represents the unique union of the Goddess-gopi Radha and her beloved Krishna, two highly revered deities in the Hindu Vaishnavite tradition. Radhakrishna is not any romantic relationship or simply the combination of the feminine and the masculine: it symbolizes the soul seeking the Divine Love.

If you are looking for a rather unknown little corner of India, Chhattisgarh will not disappoint you. It is one of the few states in India where a large part of the population is composed of “Adivasi”, that is to say indigenous peoples. During my third trip in Chhattisgarh, I was lucky enough to stay with the Dhurwa community in the Bastar region, about fifty kilometers from Jagdalpur. No need to tell you that it was an enriching experience just like all my other encounters with the different cultures of India.

I was visiting Gujarat for the second time. This time I had decided see the coastal region of the Saurashtra peninsula: Diu, Somnath and Dwarka. I don’t know how I ended up in Pingleshwar, I always have the habit of traveling without a guide to leave spontaneity. What I do remember, however, is that it was a precious day with the inhabitants of the region.

If ever there was a peaceful place on earth it’s here, nestling in the foothills of the Pir Panjal range. Naranag is a small village with just a handful of inhabitants on the left bank of the Wangath river. The picturesque surroundings of meadows, lakes and breathtaking mountain ranges create the perfect setting for a trek and invite you to forget for a while the hectic pace of daily life.