Many people do not know it, but India is one of the world's oldest civilisations. It has been the birthplace of many fundamentals recognised by today's society, in science and in the arts. After traveling tirelessly around India and immersing myself in its flavours and traditions, I wanted to bear witness to its incredibly rich cultural and spiritual heritage. If this website sparks a desire to pack your bags and set off for an Indian adventure, it will have achieved its purpose. Have a good trip around the website and pleasant wanderings in the sacred land of Bharat!
Holi is one of India’s best-known festivals, providing great material for photographers from all over the world. Its marks the beginning of spring and takes place at full moon in the lunar month of Phalgun (February-March). It is known as the festival of colours and also the festival of love, commemorating the divine love of Krishna and Radha.
Chettinad must be the most surprising part of Tamil Nadu. In the 19th century, rich Chettiar merchants built palatial houses here in a daring and harmonious blend of Eastern and Western styles. This is unique architecture with a charm of its own, inviting travellers to stop awhile for a taste of culture.
Sixth largest city of India by population, Hyderabad nevertheless is still not very touristy and we must insist a little so that it reveals its beautiful face. A face with oriental features, reflecting its past as “city of pearls”, when it was a hub of the Indo-Persian culture under the reigns of the Golkonda and Nizams Muslim rulers.
Barmer is a city in the Thar Desert located in the West of Rajasthan. Unlike most of the other parts of this state, it has been spared from mass tourism and it will delight visitors in search of authenticity and especially photography lovers. In the streets and bazaars of the city, you will encounter characters who seem straight out of an old Bollywood movie. Barmer is also associated with folk music, the Manganiars and Langas communities, to name but a few, can be seen performing in the some of the world’s biggest music festivals. Add to that the beauty of the surrounding desert, fascinating archaeological sites and delicious local cuisine, this makes Barmer a truly exciting city to explore and discover.
India has an unrivalled heritage influenced by a history that is several millennia old; the palaces are part of this cultural wealth. The palaces of Rajasthan (North West India), with their idyllic romantic setting, are the most famous; there are, however, several other ‘palatial treasures’ scattered here and there throughout the Indian continent … Here is my personal selection …
Kartighai or Kartikai Deepam is a Hindu festival of lights that is mainly celebrated in Tamil Nadu, South India. It falls at the full moon (purnami) between mid-November and mid-December –the month of Kartikai in the Tamil calendar, when the moon is in conjunction with the constellation Kritika, the Pleiades.
In Tamil Nadu, the nine-day Navaratri festival honoring the Shakti or universal primordial force, is celebrated in a unique way by venerating successively three goddesses: Durga, Lakshmi and Saraswati; three days are dedicated to each of them. This festival punctuated by precise rituals symbolically ends with the victory of light over darkness called Vijayadashami.
In Sanskrit, Nava means ‘nine’ and Ratri ‘night’, the festival is thus celebrated for 9 nights and 1 day, the tenth day being that of Vijayadashami.
The first three nights of Navaratri are dedicated to Durga, the warrior goddess, whose mount is a lion or tiger. She symbolises the forces of destruction and the impurities of the mind.
The last three nights are dedicated to Saraswati, who holds a veena (a stringed instrument) and symbolises art and wisdom.
On the next three nights, Lakshmi is worshipped. Seated or standing on a lotus, gold coins pouring from her right hand, she symbolises spiritual prosperity and plenty.
“Durga brings out the concealed negativity and Kali destroys this negativity; Durga reveals the hidden garbage and Kali completes the inner cleansing. After three days of removing the ‘weeds’ from the field in this way, the moment comes to plant the seeds. These next three days are Lakshmi’s time to act, purifying our intentions and hearts. After ploughing for three days, it’s time to harvest what you have sown. During the last three days Saraswati manifests herself, bringing wisdom, creativity and clarity of speech.” (source: pathheart)
Originally, the warriors had their weapons blessed. Nowadays, all the tools used by people for their work are blessed. Farmers, for example, have their agricultural tools blessed, musicians their musical instruments and students their study books. The vehicles are also blessed.
The small tools and instruments are placed at the foot of the Kolu (see below), a pottu (a point) of sandalwood paste and kumkum is applied to each tool and a flame offering is made (aarti).
According to Hindu mythology, Vijayadashami is the day the goddess Durga defeated the demon god Mahishasura. Symbolically, it means you have conquered all the qualities of the previous 9 days. It is a day of good omen for starting a new job or a new business.
During festivals in Tamil Nadu and in a large part of India, the front of the temples and houses is decorated with Kolams (Rangolis in North India). They are geometric designs made on the ground with rice flour or colored chalk powder. Hindus believe that Kolams bring prosperity and good luck.
This ritual is followed by the construction of a staircase made of odd-numbered wooden shelves called ‘Kolu‘. After the Kolu has been covered with a cloth, various figurines are neatly placed.
Thus, the sacred figurines, just like the king, are supposed to grant audience to the devotees. Kolu represents scenes of Hindu mythology as well as scenes of everyday life.
Traditionally, the most important figurines in a Kolu are the ‘Marapaachi’ ie those carved in the wood. Among them, the wooden figurines of married couple called ‘Marapacchi Bommai’ are the most appreciated; they are decorated with new clothes every year and passed from generation to generation to the bride of the family.
On the first day of Navaratri, nine kinds of seeds called Navadaniyam are planted in a planter or a clay pot: Koodumai (wheat), Nel (rice), Thuvaram (pea), Payaru (green soybean), Kadalai (Bengal bean) , Avarai (peas), Yel (sesame), Ulundhu (black soy), Kel (chickpea).
Nine kumbams (traditional brass pots) with coconuts on the top are also placed in the planter. On the last day of Navaratri, these nine pots are poured on the statue of the Divine Mother. It is said that the seven sacred rivers of India* are then in these kumbams and give the statue a divine vibration.
* Ganga, Yamuna, Godavari, Saraswati, Narmada, Sindhu et Kaveri
Abhishekam is a Sanskrit term for an activity of devotion, which consists of pouring libations on the statue of the deity, punctuated by the sound of the mantras.
Traditionally, the offerings to the Divine Mother include milk, yoghurt, ghee (clarified butter), honey, panchamritam (a blend of five sweet ingredients), kumkum and rose water.
The statue is also washed with lime and vibhuti (scented ash), she is dried and ‘pottu’ (dots) of sandalwood paste and Kumkum are applied. The statue is then dressed in beautiful clothes and decorated with garlands of fragrant flowers.
Here is what Swami Premananda, a holy man of Tamil Nadu, says about the Abishekam: ““We give names to describe God. We call it God, Lakshmi, Muruga and so on but we cannot see that great energy, the Divine. You do an abhishekam and wash the statue of the Divine Mother in the Ashram. You give the statue a name and put it in a particular place. But you are not doing abhishekam to the divine shakti – only to the statue. Where is the divine shakti? That shakti is inside you. You do the pooja to the shakti outside but you have to come to the stage where you do the pooja to the shakti, the divine energy, within you. You are doing the ‘outside’ pooja. Now you must do the ‘inside’ pooja. The first stage is doing the pooja to the deity, the second stage is doing the pooja inside yourself.”